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| Two folds of negatives - against clarity | ||||||||||||||
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| April 7 - April 25, 2010 | ||||||||||||||
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| Byung Hoon Kim, Jin Ho Park, Kyoung Min Lee, Sang Gon Chung, Hyoungsun Ha Part 2_Against Clarity Art could never flawlessly reproduce reality. The world in a flow of time is not always identical with lens’s vision. Directly presented image with clear direction and deja vu reminds things little distant to reality. Distorted and shaken objects, some borders and layers are rubbed out through reproduction of the mirror, it creates atypical images with intruding surroundings. Photography itself is not a stopped moment; it is one of the intentionally chosen sides of the scene by retina. By denying where photography stands as fixed and reproduced, it maintains existence of what we imagine and see from intention of photographer to genuinely create pictures. It lets us perceive truth more clearly than we do in daily life and broadens our point of view by creating a combination of viewers’ grounds and the object derived from reproduction. |
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