Polyphony: 윤병운
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From June 8 to June 28, Gallery Chosun will reunite with artist Yoon Byung Woon for the first time in seven years. Best known for his snowy landscapes rendered in a dreamlike style, his paintings turn reality into fantasy and carry a quiet surreal tone. The exhibition will present new works based on the theme of silence. Yoon’s paintings are not simple views of nature, but scenes shaped by distorted memory and the passage of time. He paints memories that fade and blur as time builds up. The works reflect how we reshape reality through memory. They invite open imagination and place the viewer between past and present, reality and unreality.
Yoon Byung Woon explores layers of time and awareness, and the exhibition suggests uncertain encounters at shifting boundaries. The works begin in white, a colour that absorbs even sound. Snowy scenes become a starting point between inner and outer worlds, between the conscious and the unconscious. When snow falls, all stories grow still. Cold yet gentle snow fills the empty space of the painting. The artist has long expressed the feeling of memory as soft afterimages. He also compares his way of handling images in painting to polyphonic music, where sounds stand apart yet come together.
Polyphony; multi-voiced music, refers to a choral form mainly used in religious music during the Renaissance. Independent melodies move through each part and come together as a single piece of music. In the quiet medium of painting, what place can sound hold? The word 《침묵》(Silence), used repeatedly as a title in the artist’s past works, became the starting point for this exhibition. The link between sound and painting is its central theme. In particular, the large five-metre-wide painting 《합창》(Chorus), made up of about 120 figures, shows a silent choir formed by many individuals. Though they gather together at this moment, the work suggests the nature of all relationships: eventually, each person returns to their own life.
Yoon Byung Woon’s work traces the marks of dreams encountered within reality wrapped in hazy particles of sound.
Yoon (born 1976, Seoul) studied painting at Hongik University and earned a PhD in Fine Arts from the same institution.
Yoon has received awards from the Dong-A Art Festival, Songeun Art Award Exhibition, and the Danwon Art Festival. His works are held by many museums and galleries, including the National Museum of Modern and Contemporary Art, Korea, and the Embassy of the Republic of Korea in the Democratic Republic of Congo. The artist participated in the Nanji Art Studio residency (Seoul Museum of Art, 2018). Major exhibitions include 《Five Windows》 (Gallery Chosun, Seoul, 2017), 《Could be Me Could be You, Sophisticated Map》 (Nanji Art Hall, Seoul, 2018), 《풍경을 빌려오다》 (Gangneung Art Museum, 2017), 《청년작가100 5주년 특별전》 (National Agriculture Center, Beijing, 2015), among many solo and group exhibitions in Korea and abroad. He has also taken part in group exhibitions at venues such as Mokpo Culture and Arts Center, Gangneung Arts Center, Seoul Arts Center, Hada Contemporary in London, the Louvre Abu Dhabi, Ilmin Museum of Art, and Ginza Ono Gallery in Tokyo.
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