Installation Views
Press release

People who walk to the same bus stop every day do not question their steps. Bright posters on the street are promoting either outdated or upcoming events. The streets are crowded, and the trees planted along the road stand in neat rows. Travel ads and familiar images of vacation spots appear every year during travel season. In our repeated lives, the scenes we suddenly notice feel both familiar and strange. They linger in memory like an old dream. 

 

However, what Song Gee-Yoon sees in landscapes is not an illusion. She rearranges images from vacation ads and visual signs from the city to create her own unique scenes. She creates landscapes that seem unreal although they exist; like the universe. In her work, the sky at sunrise turns soft green, and constellations at dawn rest on diagrams she creates. An interesting part of her painting is its abstract way of forming images. Her method feels like a journey. The sense of place in her work does not come from a fixed moment, but from colours and shapes she has gathered over time from the edges of the city. She does not pass by common postcards or city ads lightly. Instead, she listens to the subtle language within those images and signs. Rather than simply repeating familiar pictures, she searches for a hidden ideal world within them. Her approach to landscape is pure and dreamlike, without a direct story. Because of this, her scenes move beyond a set time. For her, narrative is only a visual element. 

 

In contrast, Yoon Sang Yoon’s landscapes stem from personal experience, blending time and space across three layers: below the water, above the water, and on a platform. Rather than a final image, he reveals the process of how the landscape is formed. Unlike Song, who is free from fixed composition, Yoon intentionally includes individuals and groups, creating  surroundings both familiar and strange. Bicycles, people in water, people compared to animals. Central figures may shout or sing, but draw little attention. His canvases, always tinted with a blue tone like early dawn, critique social issues and power while still holding a gentle feeling toward people. He approaches subjects with a  human gaze, understanding the freedom that comes from unclear landscapes that break common ideas. 

 

When unexpected mistakes happen, life can unfold before us as an unfamiliar scene. Life changes as it holds both past and present, and we now stand within these two landscapes, watching the process quietly. If we trust the sincere journey of Song Gee-Yoon and the warm gaze of Yoon Sang Yoon, we may find the landscape we hope for. Perhaps we have forgotten our future for too long. (Dakyung Jung, Gallery Chosun)